‐ Home of the Best in Caribbean & Black British Writing ‐

Vaulting Ambition: Jamaica’s Barn Theatre 1965-2005

Yvonne Brewster's splendid retelling of the making of the Jamaica's first professional theatre company, Barn Theatre, captures the phenomenon of youthful ambition, creative optimism and rollicking intellectual excitement that characterized the spirit of young people fired with the zeal of imagining a postcolonial self as distinct from a colonized self.

£9.99

Author(s)
Yvonne Brewster
ISBN
9781845233600
Pages
128
Price
£9.99
Classification
Memoir, Cultural Studies, Drama
Setting
Jamaica
Date published
16 Nov 2017

For more almost forty years, Jamaica’s Barn Theatre was a crucial part of the development of a Caribbean theatre that extended beyond the Europhile elite. When it began in 1965, there were scarcely any plays written by Caribbean playwrights to perform. By its presence The Barn encouraged the work of dramatists such as Dennis Scott, Ashani Harrison and Carmen Tipling, and above all the work of Trevor Rhone, with whom Yvonne Brewster enjoyed a close if sometimes tumultuous theatrical relationship. 

Yvonne Brewster's splendid retelling of the making of the Barn captures the phenomenon of youthful ambition, creative optimism and rollicking intellectual excitement that characterized the spirit of young people fired with the zeal of imagining a postcolonial self as distinct from a colonized self. The men and women who started the Barn were shaped by Jamaica’s independence or the idea of it, though their spirit was as much shaped by the giddy youth culture of the sixties blossoming in London, where some were trained, as by developments in Jamaica where ska, reggae and Rasta were coming together in a not always lucid mix to create a sense of possibility. As much as it is an invaluable record of the plays performed in the context of a changing Jamaican society, Vaulting Ambition is an engaging and affectionate account of the sometimes larger than life personalities who were involved and the often difficult material circumstances in which theatre was made. Above all, the memoir gives us the inimitable voice of Yvonne Brewster, raconteur extraordinaire. 

 

Download sample

Share this book

Yvonne Brewster

Yvonne Brewster was born in Jamaica. She graduated from Rose Bruford College of Speech and Drama in 1959, in which year she was also awarded a Licentiate of the Royal Academy of Music. On her return to Jamaica she taught Drama, worked as an announcer on Radio Jamaica, presented Television programmes and was a founder member of The Barn Theatre. In the UK after a stint as an Arts Council Drama Officer she founded and was artistic director for twenty years of Talawa Theatre Company, which is approaching its thirty second year. In 1993 she was awarded the Order of the British Empire for her work in British theatre. Similarly, in 2002 The Open University awarded her an Honorary Doctorate for her work in theatre. She is a Fellow of the Royal Society of Arts, Rose Bruford College and the Central School of Speech and Drama. . Yvonne has edited five volumes of plays written by black playwrights and a semi autobiography The Undertaker’s Daughter.

View author profile

‐ Home of the Best in Caribbean & Black British Writing ‐