Frances Coke


IDLEWILD NIGHTS


Down from the fretwork of the dining hall,
past the breakfront, where December crockery
rested through the year, the keys of Dadda’s piano,
yellow with the seasons, dressed for evensong,

descended one by one into a wooden plunk,
keeping time with swirls and scrawls faded
from the tattered pages he uncurled
across a frame, tracing clefs and trebles,

as his home-schooled fingers raised the songs
that changed Galina hat shop to a church,
a children’s stage, a lover’s breath, a dream.
Out on the veranda wrapped round the house,

where croakers changed their slimy skins
and slithered down the peeling grey to slip
our busy eyes, Gramma rocked the wicker chair,
sweeping back my hair,

spinning tales, easing in the night
with Mary and the Baby, Anancy and
Tookomah, Charge of the Light Brigade
and hosts of golden daffodils she’d never seen

but knew by heart. She murmured stilling melodies
of all things bright and beautiful, (sowing seeds
for dreams of copper pennies wedged between
my jam jars of paradise plum and mint-balls)
and yes, Jesus loves me, the bible tells me so.
Her certainty against my cheek, I rested,
closing the door on shifting worlds I’d left behind.

 

IDLEWILD IN AUGUST


Far from the city rattle,
in my retreat behind the country piano,
its keys at rest from the gingery fingers
of a grandfather, who loved and ruled

with few breaks in his silence, I stumbled
on a haven that was mine alone – spread out
across old pages that splintered
as I turned them to unearth another time –

adventures that entranced, words that smelled
of sky and sea; of consolation brewed
in Limacol and Lipton’s tea,
of love outgrowing loss in Gramma’s netted mane
steeped in the rosemary uprooted in the sun among
the pearls strung out along our backyard beach.

Idlewild erupted every August,
when Kingston schoolyards rested
from their noisy rows of prisoners in their blue
and white, with their inky fingers scrawling over
British kings and queens, parliaments and wars
that tossed their disconnected islands out to sea.

Along the razor rocks and sea grape bush
huddled round the water’s yawning edge,
a dozen carefree summer urchins
scampered after soldier crabs and cowrie shells,
between our mugs of tambrin drink,
sweet corn and condense milk.

Now children of the salt and sand, beguiled
by freedom in the wild, we arched our backs
against the wind and vanished in the eddies
of McCarthy’s pool, defying sea-egg and mermaid,
till one by one our heads bobbed up anew
like calabashes floating in the unbroken blue
stretched out along the spine of Idlewild.

Seasoned to the bone,
our sinews contoured on the edge-cliffs
of the creek, we threw off British history,
simmered in our praise songs, gospels ringing
in our ears, laying tracks of who we were,
of what we would become – a generation
rising from the embers of a ravished empire
to gather bricks and build our own new nation.

 

ONE MAN AND HIS DOG


April – my fiftieth year; a Sunday stolen
from our helter-skelter lives in scattered cities,
we stretch out in the sunstreams –
four sisters counting rhinestones in the sand.

From the corners of our eyes we sense
each other’s musings, take slanted glances
at our mother, purse our lips, and swallow
deep – concede the unnamed detail

lurking just behind her eyes. We huddle
in our robes of reminiscence, hiding truth
behind the dance of hope and fear.
A fisherman leaves his prints along the beach,

his dreadlocks glistening droplets
from his daybreak swim across the bay,
his tackle and his dog in tow. An elfin smile
eludes the mask Mama wears these days;

the corners of her mouth slowly upturned,
she stuns us with a bygone song “one man
and his dog went to mow the meadow”,
pointing at the Dread, her eyes locked ahead.

Just then, her face dissolves into a face
owned by another time and place:
1962 – the year of Independence,
when she’d bundled up her pardner draw

with all the other savings to pay down
on her key. How her eyes had shone,
fingering her motorized machine,
quickening her stitches, turning corners,

embroidering the patterns of tomorrow
on curtains for a house that was a home–

Now we watch her turn to face the breakers
rippling into shore, salty water brimming everywhere.

 

Taken from the book
Intersections

Intersections

ISBN: 9781845230884
Price: £7.99
Pages: 106

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