|
Frances Coke
IDLEWILD NIGHTS
Down from the fretwork of the dining hall, past the breakfront, where December crockery rested through the year, the keys of Dadda’s piano, yellow with the seasons, dressed for evensong,
descended one by one into a wooden plunk, keeping time with swirls and scrawls faded from the tattered pages he uncurled across a frame, tracing clefs and trebles,
as his home-schooled fingers raised the songs that changed Galina hat shop to a church, a children’s stage, a lover’s breath, a dream. Out on the veranda wrapped round the house,
where croakers changed their slimy skins and slithered down the peeling grey to slip our busy eyes, Gramma rocked the wicker chair, sweeping back my hair,
spinning tales, easing in the night with Mary and the Baby, Anancy and Tookomah, Charge of the Light Brigade and hosts of golden daffodils she’d never seen
but knew by heart. She murmured stilling melodies of all things bright and beautiful, (sowing seeds for dreams of copper pennies wedged between my jam jars of paradise plum and mint-balls) and yes, Jesus loves me, the bible tells me so. Her certainty against my cheek, I rested, closing the door on shifting worlds I’d left behind.
IDLEWILD IN AUGUST
Far from the city rattle, in my retreat behind the country piano, its keys at rest from the gingery fingers of a grandfather, who loved and ruled
with few breaks in his silence, I stumbled on a haven that was mine alone – spread out across old pages that splintered as I turned them to unearth another time –
adventures that entranced, words that smelled of sky and sea; of consolation brewed in Limacol and Lipton’s tea, of love outgrowing loss in Gramma’s netted mane steeped in the rosemary uprooted in the sun among the pearls strung out along our backyard beach.
Idlewild erupted every August, when Kingston schoolyards rested from their noisy rows of prisoners in their blue and white, with their inky fingers scrawling over British kings and queens, parliaments and wars that tossed their disconnected islands out to sea.
Along the razor rocks and sea grape bush huddled round the water’s yawning edge, a dozen carefree summer urchins scampered after soldier crabs and cowrie shells, between our mugs of tambrin drink, sweet corn and condense milk.
Now children of the salt and sand, beguiled by freedom in the wild, we arched our backs against the wind and vanished in the eddies of McCarthy’s pool, defying sea-egg and mermaid, till one by one our heads bobbed up anew like calabashes floating in the unbroken blue stretched out along the spine of Idlewild.
Seasoned to the bone, our sinews contoured on the edge-cliffs of the creek, we threw off British history, simmered in our praise songs, gospels ringing in our ears, laying tracks of who we were, of what we would become – a generation rising from the embers of a ravished empire to gather bricks and build our own new nation.
ONE MAN AND HIS DOG
April – my fiftieth year; a Sunday stolen from our helter-skelter lives in scattered cities, we stretch out in the sunstreams – four sisters counting rhinestones in the sand.
From the corners of our eyes we sense each other’s musings, take slanted glances at our mother, purse our lips, and swallow deep – concede the unnamed detail
lurking just behind her eyes. We huddle in our robes of reminiscence, hiding truth behind the dance of hope and fear. A fisherman leaves his prints along the beach,
his dreadlocks glistening droplets from his daybreak swim across the bay, his tackle and his dog in tow. An elfin smile eludes the mask Mama wears these days;
the corners of her mouth slowly upturned, she stuns us with a bygone song “one man and his dog went to mow the meadow”, pointing at the Dread, her eyes locked ahead.
Just then, her face dissolves into a face owned by another time and place: 1962 – the year of Independence, when she’d bundled up her pardner draw
with all the other savings to pay down on her key. How her eyes had shone, fingering her motorized machine, quickening her stitches, turning corners,
embroidering the patterns of tomorrow on curtains for a house that was a home–
Now we watch her turn to face the breakers rippling into shore, salty water brimming everywhere.
|
|
Taken from the book Intersections
|
|

|
|
ISBN: 9781845230884 Price: £7.99 Pages: 106
|
|