But when he becomes enmeshed in the lives of his fellow yard-dwellers without understanding the different crosses they bear, he sets in train events which teach him too late that there are temptations and responsibilities in being a servant of the Lord for which he is ill equipped. Khan portrays the tensions between authority and freedom, law and love in Trinidadian society through Manko's fate and the stories of the other yard dwellers. Told in two voices, one standard English, the other Creole, The Crucifixion is an ironic fable of a tragi-comic self-deception. In exploring the popular folk archetype of the self-crucified preacher, the novel takes the balladic form of the calypso to greater depths.
'A finely constructed and movingly told novel' - Chris Searle West Indian Digest
'Students of Caribbean literature will certainly be delighted that after such a long hiatus another novel by this talented Trinidadian novelist is in print...' - Daryl Dance Journal of West Indian Literature
Ismith Khan was born in Trinidad in 1925. He is the author of The Jumbie Bird and The Obeah Man. He lived in New York until his death in 2002.