Clara's letters present the insights of a perceptive, independent-minded and generous-spirited young woman, who is nevertheless wholly committed to the institution of slavery. The letters give a sharp sense of Trinidadian society in the process of formation, but at their heart is an account of Clara's relationships with those with whom she shares her life on the estate, in particular Kano, a 'loyal' slave who she takes to her bed. 

For the contemporary Trinidadians, the letters raise troubling questions about the nature of the national psyche, the absence of social consensus and the extent to which the history of that period still shapes the present. Is Clara a 'worthless white bitch - no different from any of them men who was screwing their slave women' or a sensible woman taking charge of her life and looking for companionship? This is a comic, painful and moving novel. Its presentation of the cruelties, violence and affections of everyday relations under slavery raise questions not only about the nature of Caribbean societies, but the nature of history and its interpretation.

Vladimir Barac and Susan Wanlass write in The Caribbean Writer: 'Although The View from Belmont is in essence Clara’s story, written in the genteel style of nineteenth-century English novels, comic relief is provided by the spontaneous responses of contemporary Trinidadians in their light-hearted vernacular joking, and this makes for very enjoyable reading. What is most remarkable about Arthur’s novel, however, is that, as a male writer, he has chosen to present the island’s history from distinctly female perspective. This refreshingly new feminist perspective alone makes the novel well worth reading. And though his work sometimes wanders off into rather salacious eroticism, Arthur definitely does keep the reader’s attention.