Zion Roses
Longlisted for the 2022 OCM Bocas Prize for Caribbean Literature, this powerful second collection of poems in a constant dialogue between four quadrants of engagement: with history, with landscape, with personal and family experience and with the worlds of literature, music and art.
Monica Minott
ISBN number
Country setting
United States of America
Publication date
25 Mar 2021

In Zion Roses, her second collection, Monica Minott’s poems grasp the reader’s attention with a voice that is distinctively personal, both taut and musical – and tender and muscular when the occasion demands. Her language moves seamlessly and always appropriately between standard and Jamaican patwa, a reflection of a vision that encompasses a Black modernity still very much in touch with its aphoristic folk roots, where the ancestral meets Skype or a Jonkonnu band is stuck in a Kingston traffic jam. It is possible to see Minott’s poems as being in a constant dialogue between four quadrants of engagement: with history, with landscape, with personal and family experience and with the worlds of literature, music and art. Minott’s sense of history is deeply informed by a knowledge of the brutalities of commercial empire and of slavery and Black people’s struggles against injustice and for selfhood. There is scarcely a poem that does not have some precisely described sense of the materiality of its circumstance and the interactions between the physical world and human feelings. You sense that what sustains a certain bravery of self-exposure and of risk is a sense of belonging to family histories that have taught endurance, of knowing that loss can be gain (and this is certainly a world into which tragedy intrudes) and the experience of “running from extremity to extremity, to glory”.  In literature and the arts, books are “bright lamps to light away dark hours”, and the examples of musicians like Don Drummond and Rico Rodriquez, artists such as Jean-Michel Basquiat and dancer Barry Moncrieffe point to the possibilities of the transcendent arising out of the everyday. Literature is a way of seeing that connects “Telemachus,/ original rasta and broomseller” of the Kingston streets to the Ulyssean world of voyaging and of seeking a home.

Acclaim for this book

'Zion Roses, with its alluring title, builds impressively on the promise of Minott’s Kumina Queen. The pursuit of self-realisation runs through inter-related themes such as family, ancestors, the challenges of a girl’s growing into womanhood, and these grounded in the history of African-Jamaican slave experience. She engraves Jamaican folk culture in her word-scape, as in the sequence that revives “jonkunno,” the theatre of the streets. Art and music become integral parts of the experience, as in the poems about Jean Michel Basquiat, Paul Gauguin and trombonists Don Drummond and Rico Rofriquez. The title poem, which closes the collection, is a song of praise, instinct, in the nuances of the title itself, with the issues explored in the preceding range of poems. The Zion of Christianity interplays with Rastafarian, and “Roses” illuminates each.' --Edward Baugh

'In Zion Roses the voices that people Winsome Minott’s poetry share histories of loss and acts of defiance. From poem to poem we are in the presence of a different story-teller, captivating us with what they have witnessed and what they know. Minott’s imagination travels and through seemingly effortless tonal shifts we are in the company of "Bag-a-Wire – an Endangered Soul", of Telemachus ("original rasta and broom seller"), of unnamed ancestors of those displaced by the middle passage, and, in a sequence of brilliantly restless renditions, the painter and radical Jean-Michel Basquiat. Weaving in and out and letting everybody speak, we hear the poet herself reporting on injustice and hope. Minott tells histories of colonialism. She shares what it means to love. And in a series of profound meditations she articulates faith. Zion Roses is the work of a generous and gifted poet, "eloquent at the green of daybreak".' --David Herd

'I see visions wider than all the nets cast" ends one of the poems. Winsome also hears said visions; so much cultural lustre and light is "languaged" here, a strong song that is mythic as it is rapturously melodic. The poems are no mere voiceovers but lyrics inflected with the sight of history. These poems crown us where we are, the ennobled and dignified living.' --Major Jackson


Monica Minott

Winsome Monica Minott is a chartered accountant and poet. Her poetry collection Zion Roses is longlisted for the 2022 OCM Bocas Prize for Caribbean Literature, and she has received two awards in the Jamaican National Book Development Council’s annual literary competitions for book-length collections of her poetry
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